|
What was … |
…becomes |
|
Choices are made by
teacher |
Choices are enabled
by teacher |
|
Teacher is in control
at all times. |
Teacher looks for
opportunities to relinquish control and put student in charge of
the experience.
|
|
Teacher feels
ownership of the experience. |
Student feels
ownership of the experience.
|
|
Teacher imparts wisdom
and expertise. |
Teacher uses wisdom
and expertise as a resource when needed.
|
|
All students learn
essentially the same way. |
Each student’s
individuality determines the experience.
|
|
Teacher is duty bound
to serve the needs of the instrument. |
Teacher is able to
serve the needs of the student.
|
|
Teacher is bound to
teach the correct way to do something. |
Teacher is able to
validate individual musical diversity.
|
|
The reward, if it
comes, will be at some point in the future. |
Each session is a
complete experience in itself. |
|
Teacher has no other
options to offer a student who is tired or needs a break from
what he is doing |
Teacher can use her
sensitivity to the student’s needs to offer him other options.
|
|
Teacher needs to be
teaching all the time. |
Teacher is able to
offer the student the gift of exploration and play.
|
|
Skills are “pasted”
onto the student. |
Musicianship develops
from the inside out.
|
|
Lack of interest or
readiness or inability to concentrate creates feelings of
discouragement that are obstacles to learning. |
Student choice ensures
that learning state is optimal at all times for whatever he is
doing. |
|
Teacher trains the
instrumentalist. |
Teacher enables
development of the whole musician.
|
|
The “Right and Wrong”
approach increases likelihood of failure.
|
Failure is virtually
impossible. |