The Human Need The Musical Human Some Thoughts on Talent Exploring Your Musical Self
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Cream of Wheat So I wasn’t that surprised when the first thing Judy told me when we met was that she isn’t musical. She wasn’t sure whether the problem was that she never had lessons or whether she didn’t have lessons because she wasn’t musical enough in the first place … Idle speculation - at this point it is what it is. She just wanted me to know who I’m dealing with. Three weeks later she tells me a story: “In the summer of 2001, I visited an advertising agency about a project of She begins to sing the jingle, recalling as she goes … “Cream of Wheat is so good to eat It makes us shout Hooray!” A transformation occurs as Judy becomes a five year-old, singing with bouncy rhythm and exuberance. Only the voice has aged. She conducts the performance with her hand … “It's good for growing children Oh-oh, stuck. “Let’s see … It's good for growing children, And grown-ups too to eat. What is that last part … ” Her voice and eyes drift off while she rummages around her attic, clearing away cobwebs, looking for the missing lines. This morning the phone rang. I recognized the Texas accent, still intact after 40 years in NYC. The voice is triumphant. “For all the family's breakfast It is puzzling when people exhibit musical behavior, all the while insisting that they aren’t musical. It comes down to the fact that it’s not about actual ability, but about a perception of what it means to have that ability. And that perception goes on to help us define ourselves in helpful or self-defeating ways. Musical information has an extraordinary way of becoming stored in our memory, and in a moment of recollection like that, can be a powerful reminder that who we were is still in there somewhere, buried under lots of other stuff. A glimmer of hope for our tin-eared friends.
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© Meryl Danziger 2004